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Peggy Siegal's 2014 Oscar Diary

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52 | AVENUE MAGAZINE • APRIL 2012
Peggy Siegal’s Oscar Diary
APRIL 2012 • AVENUE MAGAZINE | 53
David O. Russell
and Spike Jones
Peggy Siegal and
Catherine Martin
Suki Waterhouse
and Bradley
Cooper
This was the year absolutely no one could predict Best
Picture for the 86th Academy Awards: not even me, the
Oscar witch. This made directors Steve McQueen,
Alfonso Cuaron and David O. Russell very crazy. After
months of screenings, press conferences, lunches, and
parties, publicists and bloggers had to look these three wise
men in the eye and say, “We don’t have a clue.”
Then came the slogan, “It’s time.” That was
Fox Searchlight’s last suggestion on 12 Years
a Slave advertisements that subliminally
registered in the hearts and minds of voters
in the closing days of the studio’s low-key
campaign.
“It’s time.” So simple. Says it all. Just like
the mantra “Find your voice” that marketing
honcho Harvey Weinstein came up with
three years ago, which drove The King’s Speech
to a win.
This is how you win an Oscar. You pinpoint
and connect an exact emotion on the screen to
an exact emotion that moves 6,000 voters who
are mostly very smart white middle-aged guys.
On Oscar night, host Ellen DeGeneres joked
to 43 million viewers, “Possibility number one:
12 Years a Slave wins Best Picture. Possibility
number two: You’re all racists,” answering
the question three hours before the win was
announced. DeGeneres then gifted sponsor
Samsung with the world’s most famous selfie
and tipped a pizza delivery guy $1,000.
The gripping 12 Years a Slave won Best
Picture, putting Steve McQueen in the history
books as the first black director, who is also
British, to win an Oscar.
It took the star power of white heartthrob
Brad Pitt to get the film financed. Taking
the small but heroic role as the slave’s savior,
Brad then took a backseat by shooting WWII
film, Fury in England, leaving the promotion
to others.
Steve McQueen’s muse Michael Fassbender,
who portrayed a sadistic plantation owner,
annou

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